She aims to conjure the sounds of the movies that play in your head.
With beautiful, hypnotic rhythms, and vocals that will make you feel
like you've been caught in a dream, her latest release, Brightest Light In The Room,
Shannon Curtis has definitely hit her target.
Andrew Belle May 24th
Andrew Belle
May
24th ~ Wildwood Station Pavilion ~ Special $30 Adv $18 Doors $20
“An album
full of gravelly, gorgeously rolling poems
about weather, trains, and love. Foucault
pronounces his last name "Folk-alt," which
sounds something like one of those
inadequate names given to the
acoustic-guitar-driven musical genre of
which he is an exceptional practitioner."
-The New Yorker
OK Sweetheart May 24th
OK Sweetheart
May
24th ~ Wildwood Station Pavilion ~ Special $30 Adv $18 Doors $20
“An album
full of gravelly, gorgeously rolling poems
about weather, trains, and love. Foucault
pronounces his last name "Folk-alt," which
sounds something like one of those
inadequate names given to the
acoustic-guitar-driven musical genre of
which he is an exceptional practitioner."
-The New Yorker
Rachel Platten May 30th
Rachel Platten
May
30th ~ Wildwood Station Pavilion ~ Adv $13 Doors $15
“An album
full of gravelly, gorgeously rolling poems
about weather, trains, and love. Foucault
pronounces his last name "Folk-alt," which
sounds something like one of those
inadequate names given to the
acoustic-guitar-driven musical genre of
which he is an exceptional practitioner."
-The New Yorker
Madi Diaz May 30th
Madi Diaz
May
30th ~ Wildwood Station Pavilion ~ Adv $13 Doors $15
“An album
full of gravelly, gorgeously rolling poems
about weather, trains, and love. Foucault
pronounces his last name "Folk-alt," which
sounds something like one of those
inadequate names given to the
acoustic-guitar-driven musical genre of
which he is an exceptional practitioner."
-The New Yorker
Michelle Lewis June 16th
Michelle Lewis
June
16th ~ Columbia Park ~ FREE!
“An album
full of gravelly, gorgeously rolling poems
about weather, trains, and love. Foucault
pronounces his last name "Folk-alt," which
sounds something like one of those
inadequate names given to the
acoustic-guitar-driven musical genre of
which he is an exceptional practitioner."
-The New Yorker
Keri Noble June 22nd
Keri Noble
June
22nd ~ Wildwood Station Pavilion ~ Special $25 Adv $13 Doors $15
“An album
full of gravelly, gorgeously rolling poems
about weather, trains, and love. Foucault
pronounces his last name "Folk-alt," which
sounds something like one of those
inadequate names given to the
acoustic-guitar-driven musical genre of
which he is an exceptional practitioner."
-The New Yorker
Kelly McGrath June 23rd
Kelly McGrath
June
23rd ~ Columbia Park ~ FREE!
“An album
full of gravelly, gorgeously rolling poems
about weather, trains, and love. Foucault
pronounces his last name "Folk-alt," which
sounds something like one of those
inadequate names given to the
acoustic-guitar-driven musical genre of
which he is an exceptional practitioner."
-The New Yorker
Andrew Belle featuring E. Fink & Phil Roach of The Giving Tree Band and OK Sweetheart
@ Wildwood Station Pavilion
An exclusive pre-concert meet and greet with Andrew will be held prior to the general show. Limited tickets are available only in advance at www.voxconcertseries.com and will be sold on a
first-come, first-serve basis until gone. Tickets for the meet and greet are $30 and
include admission for the entire evening. The meet and greet will start at 6:30 p.m. with doors opening at 6:15 p.m. Meet and greet participants will have first choice of tables/seats for the entire evening.
Andrew Belle is a new artist on the pop singer/songwriter scene. Residing in both Chicago Read More...
...and Nashville, he is currently a member of the critically acclaimed national tour Ten Out Of Tenn. Andrew released his debut EP All Those Pretty Lights
in 2008, containing songs featured in hit TV shows including “90210” and “The Real World.” His song “I’ll Be Your Breeze” garnered nationwide airplay including Los Angeles tastemaker station KCRW. Andrew
recently was named “Best Breakout Artist, Chicago” by MTV. His music and vocal stylings draw comparisons to Coldplay, The Fray, and John Mayer. Fans and critics often refer to his songs as “smart pop”—nuanced
melodies and contemplative lyrics coupled with bold, infectious hooks. Look out for his debut full-length album The Ladder, released in February 2010.
“Since I was a child, I’ve always been around music; taught to appreciate the art form but only at a reasonable distance. My parents never let me listen to the radio or any kind of secular music until I was
well into High-school. Before that, in Junior high, I recall making mix tapes from local radio stations during the day, and then lying in bed at night listening to all the pop hits of that time through a small,
plastic walkman that I had received a few Christmases earlier. Third Eye Blind, the Counting Crows, the Verve Pipe…these were the artists that first welcomed me into the world of meaningful pop-music. The
first album that I ever bought for myself was the Counting Crow’s ‘August and Everything After’ when I was a Sophomore in High-school. It had already been out for several years at that point, but I can still
remember sneaking it up to my room and listening to it very softly out of the dusty sony boombox in my bedroom; pouring over every melody and marveling over the lyrical genious in Adam Duritz; thinking,
‘maybe I can do this someday?’. Not that I think of myself now as important to music as Adam Duritz or the Counting Crows have been, nor do I even dare to compare myself to such talent, but thinking back on
my earliest experiences with music, there is no doubt that those quiet moments spent alone in my bedroom shaped my desires and passions and gave me the hope to make my small mark on this world, one song at a time.”
-Andrew Belle
The Giving Tree Band's third full-length and most recent release, "The Joke, The Threat & The Obvious," spent multiple weeks on various radio charts (peaking at #15 on the Roots Music Report and #39 on the Americana
Airplay Chart). The album also helped the band earn widespread acclaim and feature stories in popular music publications such as American Songwriter, Acoustic Guitar (March 2011 "Player Spotlight" and Feb 2011 "Best
Acoustic Albums of 2010"), The Deli Magazine ("Best Emerging Artists of 2010") and Relix Magazine (Nov 2010 Artist "On The Verge"). The songwriting has been best described as having "Dylanesque imagery, John Prine-like
aphorisms, and Abbey Road-era Beatles overtones" (The Bluegrass Special). The band's regular touring has included performances at major music fests such as Wakarusa and Philly Folk Fest and at premier venues including
the House Of Blues and the Kennedy Center. The group has shared the stage with dozens of top acts such as The Avett Brothers, Edward Sharpe and the Magnetic Zeros, Grace Potter and the Nocturnals, and Bela Fleck and the
Flecktones. The GTB is currently working on a fourth studio album and will also be featured on a benefit compilation album entitled "Home on the Range" alongside such artists as Chrissie Hynde, Yoko Ono, Moby, Matisyahu,
and Nellie McKay.
OK Sweetheart is a group reminiscent of all the good things from mid-century pop, splits their time between San Francisco, Denton, and Brooklyn. Their well crafted simplicity pulls influence from classics such as Harry
Nilsson, The Zombies, and Randy Newman. Formerly creating under the namesake of singer / songwriter Erin Austin, OK Sweetheart's uniquely pop sound is the result of an eclectic collaboration with members of Midlake,
Elizabeth and the Catapult, The Polyphonic Spree, and Via Audio. With an ear to late 60's pop, Austin penned a battery of over sixty songs in early 2008. That summer, Rob Gungor and McKenzie Smith had begun experimenting
with sounds and instrumentation, thoughtfully developing arrangements at Midlake's studio. By October 2008, Austin had arrived in Denton and completed work on her first single "You Let Me Down", winner of the John Lennon
Songwriting Award for Pop as well as a Lennon Award. In January of 2009, Smith, Austin, and Gungor opened Retrofit Studios in Denton, Texas.
Beautiful, but not brazen. Passionate, but never preachy. Populist, but definitely not prosaic. New York City singer-songwriter, pianist and beatboxer Rachel Platten is by no means your average
headliner-in-the-making. Her Rock Ridge Music debut, Be Here, is a bewitching collection of 10 wise-beyond-their-years piano-driven pop songs that echo elements of Alanis Morissette, Carole King, Tori Amos and Regina Spektor,
while retaining a singular sense of self that is rarely found in such a young performer. Be Here was born over the course of an epic trans-Atlantic journey that took the singer-songwriter from...Read More...
London to Los Angeles, on to Stockholm and then back home to New York City. At each stop, she collaborated with top-tier production teams, including Fredrik Thomander (Nsync, Lady Gaga),
Jerry Abbott and Grant Black (Robbie Williams, Craig David) and the Wizardz of Oz (Britney Spears, Avril Lavigne). The results are immediately appealing, spirit lifting, heartwarming and mind opening no matter where in the world you are.
Platten's uplifting, instantly catchy anthems celebrate the love and light in the world with a passionate intensity that has been missing on the radio dial for far too long. Platten enrolled in a songwriting course at the Berklee College of
Music before heading to New York City in the fall of 2006. Over the next four years, she wrote the songs that make up Be Here, put together a band and toured at every opportunity, scoring opening slots for The Strokes, Ziggy Marley,
Regina Spektor, Tracy Bonham and Rusted Root. Her dynamic live shows earned raves from the Boston Globe, who called her "breathtaking and brilliant," and the New York Post, who declared that she " blend[ed] sweet delicateness with pluck."
This praise is just the beginning for this vibrant singer-songwriter. Be Here is an ecstatic confirmation that pop music can have heart, soul, depth and gravity, while still inspiring you sing along at the top of your lungs. It's time to listen
up and Be Here now.
Madi Diaz's EP, Far From Things That We Know, previews songs from her full-length Plastic Moon. Songs like the focus track "Let's Go" reflect Madi's lifelong attraction to song craft as well a deep-rooted affinity for
contrasting types of music. One part pop music and one part organic Americana, the album is a hooky, confident collection of songs that is as heartbreaking in places as it is catchy in others, sometimes within the span of a single song.
The Nashville-based musician is herself a bit of a contrast, growing up in Lancaster, PA, surrounded by Amish farms. In her early teens, she landed at the School of Rock in Philadelphia, where she was a standout student and focal point
of director Don Argott's 2005 documentary. Shortly thereafter, she attended Berklee College of Music where she met long time writing collaborator Kyle Ryan. The pair moved to Nashville and quickly catapulted into the center of the city's
nascent indie-pop scene, with Madi's songs gaining major exposure through television placements, such as on ABC Family's "Pretty Little Liars" and Lifetime's "Drop Dead Diva" and "Army Wives" and garnering press with major outlets
like RollingStone.com, Teen Vogue, Marie Claire, and Nylon.